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Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
A self-portrait may be a portrait of the artist, or a portrait included in a larger work, including a group portrait. Many painters are said to have included depictions of specific individuals, including themselves, in painting figures in religious or other types of composition.
c. 1630 (Walker Art Gallery, Liverpool) The Liverpool Self-Portrait is transitional between a study of expression, a tronie, and a conventional head-and-shoulders 'portrait of the artist'. Self-Portrait in Oriental Costume with Poodle (1631-1633) Last self-portrait produced in his hometown and only full-length self-portrait.
Thomas Smith (c. 1650 –1691) was an artist, sailor and slave trader in colonial New England. Smith is best known for the self-portrait that he painted c. 1680, which according to the Worcester Art Museum, is "the only seventeenth-century New England portrait by an identified artist and the earliest extant American self-portrait."
This may have been Van Gogh's last self-portrait. Given as a birthday gift to his mother. [1] The portraits of Vincent van Gogh (1853–1890) include self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
A singularity of the female self-portrait is to find artists from princely, royal and imperial families, mainly in the 17th and 18th centuries; while the sons of noble families are destined for war or the clergy, the girls receive a thorough artistic education, in music, literature and fine arts; equipped with this background, some have become ...
On the whole, Leyster's painting is similar to self-portraits by other women artists. In depicting herself at her easel with an unfinished painting, holding both a palette and a paintbrush, she creates a self-portrait that recalls Catharina van Hemessen's 1546 self-portrait, as well as a self-portrait by Sofonisba Anguissola that dates to c ...
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