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A depiction of two lovers at a wedding. From the Aldobrandini Wedding fresco. The precise customs and traditions of weddings in ancient Rome likely varied heavily across geography, social strata, and time period; Christian authors writing in late antiquity report different customs from earlier authors writing during the Classical period, with some authors condemning practices described by ...
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael.Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph.
Peter Thornton, The Italian Renaissance Interior 1400–1600. (New York: Abrams) 1991 "Cassone - Italian Renaissance Marriage Chest" in Eclectique, 23 September 2009. Helen Webberley, "Marriage, fertility and courtly love in Renaissance Italy: cassone" in Art and Architecture, mainly, 1 February 2011
The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the " Sistine Chapel of the early Renaissance " [ 1 ] for its painting cycle, among the most famous and influential of the period.
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs.
The Wedding at Cana is a popular theme painted by many artists. Italian Renaissance painter Paolo Veronese who was based in Venice painted his version of The Wedding at Cana. The theme is traditionally considered the first miracle attributed to Jesus in the Gospel of John. Jesus Christ, his mother, and his disciples were invited to a wedding.
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Pietà, by Michelangelo, is a key work of Italian Renaissance sculpture. The Trevi Fountain in Rome. In the late 13th century, Nicola Pisano and his son Giovanni began the revolutionary changes that led up to the Renaissance in Italian sculpture, drawing influences from Roman sarcophagi and other remains. Both are noted for their reliefs and ...