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In the Middle Ages, the Mummers Play was a traditional English folk play, based loosely on the Saint George and the Dragon legend, usually performed during Christmas gatherings, which contained the origin of many of the archetypal elements of the pantomime, such as stage fights, coarse humour and fantastic creatures, [15] gender role reversal, and good defeating evil. [16]
Pages in category "Musicals based on the Bible" The following 7 pages are in this category, out of 7 total. This list may not reflect recent changes. D.
The 1944 pantomime was Old Mother Red Riding Boots, written by the princesses and Tannar as a "mash up" of six traditional pantomime stories. [1] [6] Elizabeth wore a pink satin dress with lace sleeves to play 'Lady Christina Sherwood' and Margaret portrayed 'The Honourable Lucinda Fairfax' in a "blue taffeta dress with cream lace bloomers". [3]
The ballet is based on the Book of Job from the Hebrew Bible and was inspired by the illustrated edition by William Blake. The music was first given in concert in 1930 and the ballet had its stage premiere on 5 July 1931. It was the first ballet to be produced by an entirely British creative team.
Jack and the Beanstalk pantomime showing in Cambridge, England. The story is often performed a traditional British Christmas pantomime, wherein the Giant has a henchman, traditionally named Fleshcreep, the pantomime villain, Jack's mother is the Dame, and Jack is the Principal boy. Fleshcreep is the enemy of a fairy who helps Jack in his quest ...
A pageant wagon is a movable stage or wagon used to accommodate the mystery and miracle play cycles of the 10th through the 16th century. These religious plays were developed from biblical texts; at the height of their popularity, they were allowed to stay within the churches, and special stages were erected for them.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
The traditional Aladdin pantomime is the source of the well-known pantomime character Widow Twankey (Aladdin's mother). In pantomime versions, changes in the setting and story are often made to fit it better into "China" (albeit a China situated in the East End of London rather than medieval Baghdad ), and elements of other Arabian Nights tales ...