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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Most of the works promoted internationally were in the decorative arts, including pottery. Satsuma ware was a name originally given to pottery from Satsuma province, elaborately decorated with overglaze enamels and gilding. These wares were highly praised in the West.
The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.
In the aftermath, much attention was paid to Japanese ceramics for the next few years in Cincinnati, and the Japonisme reached the Rookwood Pottery Company. Kōzan also showed much development of lines quite independent of the Satsuma ware at First National Industrial Exposition of 1877 in Tokyo. [13]
Yabu Meizan (Japanese: 藪 明山, birth name Yabu Masashichi (藪 政七), [1] January 20, 1853 – 1934) was a Japanese artist and workshop owner known for painting on porcelain. His studio produced high-end Satsuma ware, primarily for the export market. That term was originally coined for artistic painted porcelain from the Satsuma Province ...
A Satsuma ware bowl from the Meiji or Taishō period (19th-early 20th century) Satsuma ware or porcelain was originally developed by Korean potters, who came to Japan following the Japanese Invasion of Korea in the 17th century. The Prince of Satsuma brought potters from Korea, where they established a now famous kiln for making pottery.
Awata ware (粟田焼, Awata-yaki) is a type of Japanese pottery that is a form of Kyō ware from Kyoto. [1] It is related to other Kyō wares such as Mizoro ware and Kiyomizu ware, but denotes the kiln it originates from. The origin lies in the Awataguchi area of Kyoto. [2] Awata kilns also produced Satsuma ware at one point. [3]
Underglaze blue painting on porcelain was well-established in Japan, and the Kozan workshop transformed this practice, combining multiple underglaze colors on a single item and introducing more subtle graduations of color. [56] Satsuma ware was a name originally given to pottery from Satsuma province, elaborately decorated with gilt and enamel ...
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