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This early painting by Claude shows Joseph, Mary, and Jesus fleeing the massacre in Bethlehem. In a prefiguration of his future role, the infant Jesus holds the donkey's reins. Although the trio is escaping a slaughter, Claude depicted them in a serene setting.
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
This resulted in the creation of the sketch Christ's Appearance to Mary Magdalene at the Resurrection (brown paper, watercolour, whitewash, Italian pencil, 26.3 × 40 cm, State Tretyakov Gallery, Inventory No. 8600 ob.) [63] [64] [65] In comparison to the 1835 painting, the subsequent sketch evinces a greater sense of impetus and movement in ...
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
The painting depicts Jesus Christ in anachronistic blue Renaissance attire, making the sign of the cross with his right hand, while holding a transparent, non-refracting crystal orb in his left, signalling his role as Salvator Mundi and representing the 'celestial sphere' of the heavens.
It depicts the Virgin Mary, surrounded by angels and crowned with the circle of stars. [1] She is shown trampling a snake, representing her victory over the devil. The lilies and the rose are references to hortus conclusus ("enclosed garden"), and symbolize Mary's love, virginity and purity. The painting is now in the Prado Museum, Madrid. [3 ...
Saints Dominic and Francis Saving the World from Christ's Anger; Self-Portrait with Halo and Snake; Serpent Cave; The Serpent Chooses Adam and Eve; Serpent labret with articulated tongue; Serpent symbolism; The Sin (Stuck) Snake (Nolan) The Snake Charmer; The Snake Charmer (Rousseau) Snakes (M. C. Escher) The Soul Breaking the Links Holding it ...
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