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English has many polysemous words. For example, the verb "to get" can mean "procure" (I'll get the drinks), "become" (she got scared), "understand" (I get it) etc. In linear or vertical polysemy, one sense of a word is a subset of the other. These are examples of hyponymy and hypernymy, and are sometimes called autohyponyms. [7]
It can also come in the form of roundabout speech wherein many words are used to describe something that already has a common and concise term (for example, saying "a tool used for cutting things such as paper and hair" instead of "scissors"). [3] Most dictionaries use circumlocution to define words.
Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings: their denotation. Figurative (or non-literal ) language is the usage of words in a way that deviates from their conventionally accepted definitions in order to convey a more complex meaning or a heightened effect. [ 1 ]
"A picture is worth a thousand words" is an adage in multiple languages meaning that complex and sometimes multiple ideas [1] can be conveyed by a single still image, which conveys its meaning or essence more effectively than a mere verbal description.
[3] [4] It also aids in making the sentence more concise by eliminating unnecessary words that could distract the reader from the main idea and following a clear pattern of language. It is a simple way to achieve clarity and avoid ambiguity, [ 5 ] but it is avoided unless the relationship of the ideas or details they express justifies ...
Heidegger referred to poiesis as a "bringing-forth", or physis as emergence. Examples of physis are the blooming of the blossom, the coming-out of a butterfly from a cocoon, and the plummeting of a waterfall when the snow begins to melt; the last two analogies underline Heidegger's example of a threshold occasion, a moment of ecstasis when something moves away from its standing as one thing to ...
Aldous Huxley is regarded as one of the most prominent explorers of visual communication and sight-related theories. [12] Becoming near-blind in his teen years as the result of an illness influenced his approach, and his work includes important novels on the dehumanizing aspects of scientific progress, most famously Brave New World and The Art of Seeing.
For example, Mark Twain (1835–1910) wrote "generally, the fewer the words that fully communicate or evoke the intended ideas and feelings, the more effective the communication." [ 25 ] Similarly Ernest Hemingway (1899–1961), the 1954 Nobel laureate for literature, defended his concise style against a charge by William Faulkner that he "had ...