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Howard "Sandman" Sims (January 24, 1917 – May 20, 2003) was an African-American tap dancer who began his career in vaudeville.He was skilled in a style of dancing that he performed in a wooden sandbox of his own construction, and acquired his nickname from the sand he sprinkled to alter and amplify the sound of his dance steps.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies.
In 1979, she and her husband Percival Borde, whom she met during her research in Trinidad, founded the Pearl Primus "Dance Language Institute" in New Rochelle, New York, where they offered classes that blended African-American, Caribbean, and African dance forms with modern dance and ballet techniques. They also established a performance group ...
She often based her dances on the work of black writers and on racial issues, such as Langston Hughes's 1944 The Negro Speaks of Rivers, and Lewis Allan's 1945 Strange Fruit (1945). Her dance company developed into the Pearl Primus Dance Language Institute. [6] Alvin Ailey (1931-1989) studied under Lester Horton, Bella Lewitzky, and later ...
Donald McKayle (July 6, 1930 – April 6, 2018 [2]) was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men ...
The dance that eventually became known as the Big Apple is speculated to have been created in the early 1930s by African-American youth dancing at the Big Apple Club, which was at the former House of Peace Synagogue on Park Street in Columbia, South Carolina. [3] The synagogue was converted into a black juke joint called the "Big Apple Night Club".
The Pierce Dance Studio was the professional home of his fellow African American choreographer Buddy Bradley, who devised dance routines for the eccentric dancer Tom Patricola, a white man. Patricola performed the Black Bottom with the Ann Pennington in the musical-comedy revue George White's Scandals of 1926 on Broadway, whereupon it became ...