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Matt Monro (born Terence Edward Parsons, 1 December 1930 – 7 February 1985) [3] was an English singer. Known as "The Man with the Golden Voice", he performed internationally during his 30-year career and sold a reported 23 million records. [ 4 ]
The title song was sung by Matt Monro. Monro's vocal version is played during the film (as source music on a radio) and properly over the film's end titles. The title credit music is a lively instrumental version of the tune preceded by a brief Barry-composed "James Bond Is Back" then segueing into the "James Bond Theme".
Writing about the album, the Grimsby Telegraph said that Leslie Bricusse "has become a great fan of Gary’s voice" and quoted him saying: "Songs like these make you want the ghosts of Mel Tormé and Matt Monro to come back and sing them. Until they do, Gary Williams is their worthy guardian.
In 1960, Matt Monro released the song as a single. The song was Monro's first hit single, and spent 16 weeks on the UK's Record Retailer chart, reaching No. 3, [2] also reaching No. 3 on the UK's New Musical Express chart. [3] In 1961, the song was released on Monro's album My Kind of Girl. [4]
It should only contain pages that are Matt Monro songs or lists of Matt Monro songs, as well as subcategories containing those things (themselves set categories). Topics about Matt Monro songs in general should be placed in relevant topic categories .
Barry also composed the love song "We Have All the Time in the World" sung by Louis Armstrong, with lyrics by Hal David, Burt Bacharach's regular lyricist."We Have All the Time in the World" is often mistakenly referred to as the opening credits theme, when in fact the song is played within the film, during the Bond–Tracy courtship montage, bridging Draco's birthday party in Portugal and ...
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Matt Monro's vocal rendition of "From Russia with Love" is often considered the official theme song for that film, even though the opening credits use an instrumental version that also incorporates the "James Bond Theme". Monro's version isn't heard until about 15 minutes into the film over a radio as source music, and again over the closing ...