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The origin of the violin family is obscure. [1] [2] Some say that the bow was introduced to Europe from the Byzantine Empire and the Islamic world, [3] [4] [5] while others say the bow was not introduced from the Middle East but the other way around, and that the bow may have originated from more frequent contact between Northern and Western Europe.
The first three volumes have been arranged (or transposed) almost directly from the first three violin volumes, and the rest differ significantly as they delve into standard viola literature. The viola books introduce shifting and work in higher positions earlier than the violin volumes, in anticipation of viola students being asked to play in ...
Maggini violin made circe 1610 Giovanni Paolo Maggini (c. 1580 - c. 1630), was a luthier born in Botticino ( Brescia ), Republic of Venice . Maggini was a pupil of the most important violin maker of the Brescian school, Gasparo da Salò .
A 3/4 violin is 335 mm (13.2 in), and a 1/2 size is 310 mm (12 in). Rarely, one finds a size referred to as 7/8 which is approximately 340 mm (13.5 in), sometimes called a "ladies' fiddle." Viola size is specified as body length rather than fractional sizes. A 'full-size' viola averages 400 mm (16 in), but may range as long as 450 or 500 mm (18 ...
Divertimento for viola d'amore, violin and cello; This is an arrangement of a work by Haydn, but made in the 18th century. Carl Stamitz (1745–1801) 3 solo Concertos Sonata in D major for viola d'amore and violin or viola various other sonatas Quartet for oboe, violin, viola d'amore and cello. Franz Anton Hoffmeister (1754–1812)
The violin is primarily used as support for a vocalist, as the sound of a violin complements that of the singer, but is also largely played solo. In solo violin concerts, the violinist is accompanied by percussion instruments, usually the tabla, the mridangam and the ghatam. The violin is also a principal instrument for Indian film music. V.
Lorenzo Storioni (1744 — 1816) is considered [citation needed] one of the last of the classic Cremonese master violin makers/luthiers of the 18th century.. Born a generation after Stradivarius and Guarnerius, and with no direct link to the great tradition, Lorenzo Storioni revived violin-making in Cremona with his own work and that of his two followers, Giovanni Rota (born 1767) and Giovanni ...
The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba, or Casadesus's own instrument, the viola d'amore. The quintet was also notable in its day for premiering rediscovered works by long-dead composers.