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The earliest dated example of a church bass is from the maker Benjamin Crehore, made in Massachusetts in 1788. A particularly notable double bass luthier, Abraham Prescott, is known to have made 500 to 600 church basses, the earliest example dating from 1809. [2] With the rising popularity of the reed organ in the 1840s, church basses fell into ...
2 Concertos for Viola (see also Published section): Viola Concerto in F major (c.1785) [original version for Bassoon and orchestra (c.1780), transcription by the composer-[4] [5] Viola Concerto in C major (WeiV [6] IId:C1 - Possibly the same work as Cello Concerto in C) Double-bass Concerto in D major (1773) (played also in E or E-flat major)
M Ami Maayani (1936–2019) Concerto for viola and orchestra (1974); Israeli Music Publications Improvisation variée for flute, viola and harp (1966) Trio for flute, viola and harp (1969); revision of Improvisation variée ; Lyra Music Andrew Paul MacDonald (b. 1958) The Great Square of Pegasus: "Algenib" for viola solo, Op. 42 (1997) Hymenaeus for violin and viola, Op. 38 (1996); Canadian ...
One is a bass viola da gamba. The other is a violin. [3] The 18th-century European violin virtuoso-composer Ivan Mane Jarnović played a Maggini violin. A genuine Maggini violin ranges in value from $200,000 to $2,000,000. [4]
Andante-Allegro; III. Allegretto), for double bass (or cello), 2nd double bass and orchestra/piano; Duo Concertant on Themes of Bellini's "I Puritani" for cello, double bass and orchestra (original version of Puritani Fantasy) Duet for clarinet and double bass; Concerto in G major, for cello and double bass
"In the convict camp in Greene County, Georgia", 1941. Buddy Moss is playing guitar; other men unidentified.. The basis of the Piedmont style began with the older "frailing" or "framming" guitar styles that may have been universal throughout the South, and was also based, at least to some extent, on formal "parlor guitar" techniques as well as earlier banjo playing, string band, and ragtime.
Harvey Samuel Whistler Jr. (September 7, 1907 – March 17, 1976) was an American violinist, editor, arranger, and composer of educational music studies for studio, homogenous, and heterogeneous class instrumental (strings and band) instruction. [1]
The Lyric Movement for viola and small orchestra (H. 191) is a short (about 10 minutes) [1] concertante work by Gustav Holst. It was one of his last compositions, being written in 1933. It was one of his last compositions, being written in 1933.