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The adjustments Hoffman makes depend on the quality of the tape source and the equalization choices of the mixing engineer. While he avoids noise reduction, he does add subjective "colorations" through subtractive equalization and up to five layers of vacuum tube distortion. [4] [5]
The "Tweed" 5F10 model, [2] launched in 1955, but not in time for the Fender catalog of that year, [3] was a 10-watt amplifier utilising a 6AV6 (from 1956 a 6AT6) preamplifier tube, 12AX7 phase inverter tube, [note 1] a pair of 6V6GT power amplifier tubes, and one 5Y3GT rectifier tube, [4] with a Jensen P10R 10-inch speaker. The amplifier had a ...
The company was founded as SWR Engineering, Inc. by its namesake, Steve W. Rabe. Rabe was known for his engineering work at Acoustic Control Corporation.After extensive research with top Los Angeles studio bassists, SWR released its first commercial product in 1984, the PB-200 hybrid tube/solid-state bass guitar amplifier.
Because each speaker carried just one instrument or vocalist, the sound was exceptionally clear and free of intermodulation distortion. [2] Several setups have been reported for The Wall of Sound: 604 total speakers, powered by 89 300-watt solid-state and three 350-watt vacuum tube amplifiers generating a total of 26,400 watts of power. [3]
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
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Steve Hoffman of Audio Fidelity Records conducted a remastering in both CD and Super Audio CD formats. [ nb 5 ] For the Panegyric label, Steven Wilson used the original multi-track recordings to produce a "2013 stereo mix", a 5.1 surround sound mix, and an "original stereo mix" from a flat transfer of the LP, in both a CD and DVD-Audio and CD ...
Tube sound (or valve sound) is the characteristic sound associated with a vacuum tube amplifier (valve amplifier in British English), a vacuum tube-based audio amplifier. [1] At first, the concept of tube sound did not exist, because practically all electronic amplification of audio signals was done with vacuum tubes and other comparable ...
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