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The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Rothenberg's horse figures of the 70s contained some degree of minimalism because of their repetitive qualities, her hectic yet loose rendering of the figures blended the earlier conventions of abstract expressionism and color field painting. [6]
Modern entrance to the Lascaux cave. On 12 September 1940, the entrance to the Lascaux Cave was discovered on the La Rochefoucauld-Montbel lands by 18-year-old Marcel Ravidat when his dog, Robot, investigated a hole left by an uprooted tree (Ravidat would embellish the story in later retellings, saying Robot had fallen into the cave.) [8] [9] Ravidat returned to the scene with three friends ...
In 1914, he suffered a severe head injury in a horse-drawn omnibus accident and ten years later was certified insane. He spent the remaining fifteen years of his life in mental hospitals, where he continued to draw and paint. Some of his later abstract paintings have been seen as precursors of psychedelic art.
The Tower of Blue Horses was a large work, 200 by 130 centimetres (6 ft 7 in × 4 ft 3 in). [1] Most of the picture is occupied by a frontal view of four primarily blue horses, arranged in a tier to the right of centre, facing the viewer but with their heads turned to the left; the foremost horse seemed "only a little less than life size" to at least one writer. [2]
In 1980, Whitehorse earned her Bachelor of Arts degree in painting from the University of New Mexico in Albuquerque (UNM). She earned her master's degree in art in 1982, also from UNM, majoring in printmaking and minoring in art history. [2] [3] Whitehorse's paintings draw upon a personal iconography, based on her reflections of her natural ...
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