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The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
Also known as The Lice-Ridden Boy due to the figure of a young boy delousing himself in the painting, The Young Beggar is the first known depiction of a street urchin by Murillo. [1] It was influenced by the poverty of Spanish children in the 17th century and followed the style of Michelangelo Merisi da Caravaggio. [2]
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art.
Pages in category "17th-century paintings" The following 81 pages are in this category, out of 81 total. This list may not reflect recent changes. A.
Ariès studied paintings, gravestones, furniture, and school records. He found before the 17th-century, children were represented as mini-adults. Other scholars have emphasized how medieval and early modern child rearing was not indifferent, negligent, nor brutal.
The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
The painting was rediscovered by Dutch art dealer Jan Six in 2016. He is a direct descendant of Jan Six, a 17th-century burgher who sat for one of Rembrandt’s most important paintings, Portrait of Jan Six. The painting is dated to the 1620s and grouped under the growing list of paintings in Rembrandt's oeuvre known as his "juvenalia".
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