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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
"Gerontion" is one of the handful of poems that Eliot composed between the end of World War I in 1918 and his work on The Waste Land in 1921. During that time, Eliot was working at Lloyds Bank and editing The Egoist, devoting most of his literary energy to writing review articles for periodicals.
Helping define the objective correlative, Eliot's essay "Hamlet and His Problems", [1] republished in his book The Sacred Wood: Essays on Poetry and Criticism discusses his view of Shakespeare's incomplete development of Hamlet's emotions in the play Hamlet. Eliot uses Lady Macbeth's state of mind as an example of the successful objective ...
Lines 359 through 365 of T. S. Eliot's 1922 modernist poem The Waste Land were inspired by Shackleton's experience, as stated by the author in the notes included with the work. It is the reference to "the third" in this poem that has given this phenomenon its name (when it could occur to even a single person in danger).
The epigraph to T. S. Eliot's 1922 poem The Waste Land is a quote from the Satyricon of Petronius (48.8) wherein Trimalchio says, "Nam Sibyllam quidem Cumīs ego ipse oculīs meīs vīdī in ampullā pendere, et cum illī puerī dīcerent: Σίβυλλα τί θέλεις; respondēbat illa: ἀποθανεῖν θέλω" ("For I indeed once ...
In some of his work, Eliot had espoused the idea of criticism as necessarily impersonal. The evaluation of Eliot's criticism occurred relatively early; for example, an appraisal of his work focusing exclusively on Eliot the critic (as opposed to Eliot the poet) appeared in 1941 in a book by John Crowe Ransom. Ransom, participating in the New ...
The Letters of T. S. Eliot includes correspondence between Eliot and Lucas from the mid-1920s but no reference to the review. [98] Historians of The New Statesman have regretted that Desmond MacCarthy invited Lucas to review modern poetry, one of them declaring Lucas "a disastrous choice" for a Waste Land review. [99] (Disastrous, that is, for ...
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