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It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff. [citation needed] Videos were shot for "The Mass" and "Looking for Something" on location at Chateau de Commarque, France; featuring actors Pierre Boisserie and Irene Bustamante.
Era (styled as +eRa+) is a new-age music [1] project by French composer Eric Lévi. Some of the lyrics were written by Guy Protheroe in an imaginary language similar to Latin, but deliberately devoid of any exact meaning. Musically, the project blends Gregorian chants with modern elements and genres, especially rock, pop and electronic music.
The lyrics, by Guy Protheroe, are written in pseudo-Latin, i.e. sounding like Latin but are in fact deliberately devoid of any exact meaning. [citation needed] The vocals are performed by Guy Protheroe and Harriet Jay. Eric Lévi played keyboards and programmed it, whereas Philippe Manca played lead guitar, bass and drums.
British composer Peter Maxwell Davies: parody mass Missa super l'homme armé [10] (1968, revised 1971). [11] Welsh composer Karl Jenkins drew heavily on L'homme armé for his 1999 mass, The Armed Man - A Mass for Peace, composed for SATB chorus, soloists and symphonic orchestra and dedicated to the victims of the 1998-1999 Kosovo War.
Mass song (Russian: массовая песня Massovaya pesnya) was a genre of Soviet music that was widespread in the Soviet Union. A mass song was written by a professional or amateur composer for individual or chorus singing and intended for "broad masses" of Soviet people.
No. 14 in B-flat major: 'Harmoniemesse' ('Wind-band Mass') (H. 22/14) (1802). The Harmoniemesse 1802 was Haydn's last major work. He shortly afterward sank into debilitating illness and was unable to compose further.
The early Baroque era initiated stylistic changes which led to increasing disparity between masses written entirely in the traditional polyphonic manner (stile antico), whose principal advancements were the use of the basso continuo and the gradual adoption of a wider harmonic vocabulary, and the mass in modern style with solo voices and ...
The origins of the song are unclear, although one hypothesis is that "Bella Ciao" was originally sung as "Alla mattina appena alzata" ("In the morning as soon as I woke up") by seasonal workers of paddy fields of rice, especially in Italy's Po Valley from the late 19th century to the first half of the 20th century, with different lyrics. [1]