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Arabella Fermor, a 19th-century print after Sir Peter Lely's portrait of her. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope. [1] One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's Miscellaneous Poems and Translations (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in ...
British poet Alexander Pope expressed familiarity with the poem in the Homeric Greek and previous translations in Latin, French and English. [1] He experimented with translation from a young age, [1] with the writer for the The Cambridge Companion entry on Pope estimating "sixteen years of [the] young poet's life" spent on Homer and the poems. [2]
Alexander Pope (21 May 1688 O.S. [1] – 30 May 1744) was an English poet, translator, ... The post-war period stressed the power of Pope's poetry, recognising that ...
The Dunciad (/ ˈ d ʌ n s i. æ d /) is a landmark, mock-heroic, narrative poem by Alexander Pope published in three different versions at different times from 1728 to 1743. The poem celebrates a goddess, Dulness , and the progress of her chosen agents as they bring decay, imbecility, and tastelessness to the Kingdom of Great Britain .
Pope's poem was published in 1717 in a small volume titled The Works of Mr Alexander Pope. There were two other accompanying poems, the "Elegy to the Memory of an Unfortunate Lady" and the original version of the "Ode on St Cecilia's Day". Such was the poem's popularity that it was reissued in 1720 along with the retitled "Verses to the memory ...
"Elegy to the Memory of an Unfortunate Lady", also called "Verses to the Memory of an Unfortunate Lady", is a poem in heroic couplets by Alexander Pope, first published in his Works of 1717. [1] Though only 82 lines long, it has become one of Pope's most celebrated pieces.
The poem was originally published anonymously; Pope did not admit authorship until 1735. Pope reveals in his introductory statement, "The Design", that An Essay on Man was originally conceived as part of a longer philosophical poem which would have been expanded on through four separate books.
The Temple of Fame: A Vision is an eighteenth-century poem by Alexander Pope, directly inspired by Geoffrey Chaucer's fourteenth-century poem The House of Fame (Hous of Fame in the original spelling). First published in 1715, [1] the poem comprises 524 lines which, like Chaucer's original version, take the form of a dream vision.