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In traditional Japanese architecture, there are various styles, features and techniques unique to Japan in each period and use, such as residence, castle, Buddhist temple and Shinto shrine. On the other hand, especially in ancient times, it was strongly influenced by Chinese culture like other Asian countries, so it has characteristics common ...
In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Housing in Japan includes modern and traditional styles. Two patterns of residences are predominant in contemporary Japan : the single-family detached house and the multiple-unit building , either owned by an individual or corporation and rented as apartments to tenants, or owned by occupants.
Machiya (町屋/町家) are traditional wooden townhouses found throughout Japan and typified in the historical capital of Kyoto. Machiya ('townhouses') and nōka ('farm dwellings') constitute the two categories of Japanese vernacular architecture known as minka ('folk dwellings').
Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society, Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non-samurai castes). [1]
Compared to shoin style, roof eaves in the sukiya style bend downward. [15] While the shoin style was suitable for ceremonial architecture, it became too imposing for residential buildings. Consequently, the less formal sukiya style was used for the mansions of the aristocracy and samurai after the beginning of the Edo period.
The moya is one big space partitioned by portable screens (see List of partitions of traditional Japanese architecture). Guests and residents of the house are seated on mats, laid out separately on a polished wooden floor. As the style developed, the moya became a formal, public space, and the hisashi was divided into private spaces. [5]