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The modern biathlon is a civilian variant of the old military combined exercise. [3] In Norway, the biathlon was until 1984 a branch of Det frivillige Skyttervesen, an organization set up by the government to promote civilian marksmanship in support of national defence. In Norwegian, the biathlon is called skiskyting (literally ski shooting). [4]
This imagined account is the legendary origin of the dance. [6] [7] The invention served to symbolize the distinct Catalan ethos promoted by the then-newborn Catalan nationalism. [7] [6] In fact, today Catalans are known for their musicality throughout Spain and much of Western Europe; sardana has emerged as a major source of personal and ...
In folk dance from the Alsace region, waltzes in odd metres such as 5 4, 8 4 and 11 4 are found. In modern bal folk, waltzes in even higher metres are played and danced. Estonian folk dance Labajalavalss (flat of the foot waltz) performed in 3 4 time. [27] Sama'i (also known as usul semai) is a vocal piece of Ottoman Turkish music composed in 6 ...
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The Biathlon World Cup is a top-level biathlon season-long competition series. It has been held since the winter seasons of 1977–78 for men and 1982–83 for women. The women's seasons until 1986–87 season were called the European Cup, although participation was not restricted to Europeans.
Olé is a Spanish interjection used to cheer on or praise a performance commonly used in bullfighting and flamenco dance. [2] In flamenco music and dance, shouts of "olé" often accompany the dancer during and at the end of the performance, and a singer in cante jondo may emphasize the word "olé" with melismatic turns.
Aragonese jota dancers. The jota (pronounced [1]) is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon.It varies by region, having a characteristic form in Aragon (where it is the most important [1]), Mallorca, Catalonia, León, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia.
During its heyday, the bolero became a popular dance in ballrooms across Spain and was performed by Spanish troupes abroad along with other dances such as the cachucha. Over time, many classical composers wrote pieces inspired in the genre: Frédéric Chopin wrote Boléro solo piano (Op. 19) in 1834, but its rhythms are more that of the polonaise.