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Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist . Early life
Typical Vertical Mess as Depiction of the Dada Baargeld (1920) Johannes Theodor Baargeld was a pseudonym of Alfred Emanuel Ferdinand Grünwald (9 October 1892 – 16 or 17 August 1927), a German painter and poet who, together with Max Ernst, founded the Cologne Dada group. He also used the name Zentrodada in connection with Dada.
Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
Max Ernst (2 April 1891 – 1 April 1976) was a German (naturalised American in 1948 and French in 1958) painter, sculptor, printmaker, graphic artist, and poet. [1] A prolific artist, Ernst was a primary pioneer of the Dada movement and surrealism in Europe. [1]
In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine Simbolul. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue ...
Dada artists met and reformed groups of like-minded artists in Paris, Berlin, Cologne, and New York City. In Germany, Richard Huelsenbeck established the Berlin group, whose members included Jean Arp , John Heartfield , Wieland Hertzfelde , Johannes Baader , Raoul Hausmann , George Grosz and Hannah Höch .
It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including Hans Arp, Max Ernst, Hannah Höch, Francis Picabia, and Rudolf Schlichter, as well as key works by George Grosz, John Heartfield and Raoul Hausmann.
It is said that Arp's creative influence for the sculpture was based on his reaction to the Second World War. The sculpture's wavy form simulates the natural curves of clouds, hills, and lakes, and expresses Arp's opposition to machines that caused wars. [1] It has elements of Surrealism and Dada. [1]
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