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"Song to the Siren" is a song written by Tim Buckley and Larry Beckett, [2] first released by Buckley on his 1970 album Starsailor. It was later included on Morning Glory: The Tim Buckley Anthology , featuring a performance of the song from the final episode of The Monkees .
"Give It All" is a song by American rock band Rise Against. It was originally recorded for the 2004 compilation album Rock Against Bush, Vol. 1, while a slightly altered version appeared on the band's third studio album Siren Song of the Counter Culture later that year.
A siren song typically refers to the song of the siren, dangerous creatures in Greek mythology who lured sailors with their music and voices to shipwreck.
The song is a staple of the competitions, due to the purity and clarity of Dion's voice suiting the audio range for public address systems. [59] [60] The song is played at full volume through speakers attached to cars in the small hours of the morning, in a contest by siren kings to produce the loudest sound. [61] [62]
"The Siren" is the fourth and last single of Finnish symphonic metal band Nightwish's fifth studio album Once. The song was recorded with the London Session Orchestra and includes many exotic instruments, for example an electric violin and a sitar ; [ 1 ] it also has very few lines. [ 2 ]
The idea of gender transition was also on her mind, her friend, the composer Alex Temple, having transitioned herself. As ever, the inspiration behind the song is loose – a marble rolling about ...
A blue plaque marking Parry's birthplace at 2, Richmond Terrace, Bournemouth Highnam Court, Gloucestershire, the family's country house. Hubert Parry was born in Richmond Hill, Bournemouth, [1] the youngest of the six children of Thomas Gambier Parry (1816–1888) and his first wife, Isabella née Fynes-Clinton (1816–1848), of Highnam Court, Gloucestershire.
The song is Elsa's "flagship number", and prominently features a siren call that serves as the film's musical motif that Christophe Beck weaves throughout the film score. [2] The call is derived from the Latin sequence Dies irae, but is delivered in a manner inspired by the Scandinavian music form kulning. [4]