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Starting in 2010, every year free books are distributed to students between Grade-1 to Grade-10 to eliminate illiteracy. [6] These books comprise most of the curricula of the majority of Bangladeshi schools. There are two versions of the curriculum. One is the Bengali language version and the other one is English language version.
It is a sub-category of Bengali literature in English translation. Bengali poetry, and for that matter Bengali literature, has been translated into many other languages. But starting from the 18th century it is English which has been chosen by most of the native and international translators.
Gitanjali (Bengali: গীতাঞ্জলি, lit. ''Song offering'') is a collection of poems by the Bengali poet Rabindranath Tagore.Tagore received the Nobel Prize for Literature in 1913, for its English translation, Song Offerings, making him the first non-European and the first Asian and the only Indian to receive this honour.
The ten works, and the number of poems selected from each, are as follows: [3] Gitanjali - 69 poems (out of 157 poems in Song Offerings) Geetmalya - 17 poems; Naibadya - 16 poems; Kheya - 11 poems; Shishu - 3 poems; Chaitali - 1 poem; Smaran - 1 poem; Kalpana - 1 poem; Utsarga - 1 poem; Acholayatan - 1 poem; Song Offerings is a collection of ...
Meghnad Badh Kavya (Bengali: মেঘনাদবধ কাব্য; English: The Slaying of Meghnada) is a Bengali epic poem by Michael Madhusudan Dutta.Regarded as a central work in Bengali literature and Dutta's greatest literary work as well as the finest epic in Bengali literature and also as one of the greatest works of world literature. [1]
Rudra Mohammad Shahidullah (Bengali: রুদ্র মুহম্মদ শহিদুল্লাহ; 16 October 1956 – 21 June 1991) [3] was a Bangladeshi poet [4] [5] noted for his revolutionary and romantic poetry. He is considered one of the leading Bengali poets of the 1970s. [6]
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Banalata Sen (Bengali: বনলতা সেন) is a Bengali poem written in 1942 [1] by the poet Jibanananda Das that is one of the most read, recited and discussed poems of Bengali literature. The title of this lyric poem is a female character referred to by name in the last line of each of its three stanzas.