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The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Carmen is delighted to learn of José's release from two months' detention. Outside, a chorus and procession announces the arrival of the toreador Escamillo ("Vivat, vivat le Toréro"). Invited inside, he introduces himself with the "Toreador Song" ("Votre toast, je peux vous le rendre") and sets his sights on Carmen, who brushes him aside ...
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud.They adhere very closely to Bizet's orchestration.
The Toreador, a musical comedy; The "Toreador Song" from Georges Bizet's opera Carmen; The Daily Toreador, the student newspaper of Texas Tech University; The Hallucinogenic Toreador is the name of a Salvador Dalí painting "Toreador I" and "Toreador II", songs made by Apocalyptica "Toreador", a song by Band of Skulls on their 2014 album Himalayan
The final scene is set outside the bull-ring where girls await the arrival of their hero, the toreador. He enters and greets them but is fascinated by the indifference shown by Carmen. José enters and notices their looks. The toreador moves into the arena whereupon Don José threatens Carmen, and in a fight to the death he overcomes her.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
The peculiar tragic nobility of Bocelli's voice is perfectly suited to the role of Don José, but the clinching elements are the supporting performances, particularly Marina Domashenko in the title role, whose plummily graceful tones bring just the right note of quixotic disdain to the part; and Bryn Terfel, who delivers the "Toreador's Song ...
Later, in 1924, he made an obscure (and poorly recorded) group of records for the Homophone company. Amato made just one known electrical recording—the live-recorded soundtrack of the 1927 Vitaphone short, "A Neapolitan Romance," which featured Amato performing "Torna a Surriento" and the Toreador song from Carmen, sung in Italian