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Magic chord (as played in The Well-Tuned Piano). [ 3 ] The Magic Chord is a chord and installation (1984) created by La Monte Young , consisting of the pitches E, F, A, B ♭ , D, E, G, and A, in ascending order and used in works including his The Well-Tuned Piano and Chronos Kristalla (1990). [ 1 ]
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
Jackman recorded another Syn piece with an orchestra, "The Last Performance of the Royal Regimental Very Victorious and Valiant Band", eventually released on the 2004 compilation Original Syn. Another Syn piece, "Mr White's White Flying Machine", was released in 1970 by Ayshea in a session produced by Jackman and with Squire on bass.
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11 ).
"You Don't Love Me (No, No, No)" is a song by Jamaican recording artist Dawn Penn, released in February 1994 by Big Beat as the first single from her first studio album, No, No, No (1994). The song's lyrics are credited to Penn, Bo Diddley and Willie Cobbs , and production was handled by Steely & Clevie .
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The Lovin' Spoonful is an American folk-rock band formed in Greenwich Village, New York City, in 1964.The band were among the most popular groups in the United States for a short period in the mid-1960s and their music and image influenced many of the contemporary rock acts of their era.