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"To Err is Human; To Really Foul Things Up Requires a Computer" [3] "The best of all gifts around any Christmas tree: the presence of a family all wrapped up in each other." [4] "Frankly, the feeling of the adult contingent in the second house from the corner is that, instead of taking down the Christmas decorations, it will be easier to move." [5]
To err is human may refer to: "To err is human, to forgive divine" a quote from Alexander Pope's poem An Essay on Criticism; Errare humanum est, a Latin proverb;
Frontispiece. An Essay on Criticism is one of the first major poems written by the English writer Alexander Pope (1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing" (frequently misquoted as "A little knowledge is a dang'rous thing"), and "Fools rush in where angels fear to tread".
One hand washes the other; One kind word can warm three winter months; One man's meat is another man's poison; One man's terrorist is another man's freedom fighter; One man's trash is another man's treasure; One might as well be hanged for a sheep as a lamb; One might as well throw water into the sea as to do a kindness to rogues
Both are widely referenced. "To Err Is Human" was the inspiration for the Institute for Healthcare Improvement's 100,000 Lives Campaign , which in 2006 claimed to have prevented an estimated 124,000 deaths in a period of 18 months through patient-safety initiatives in over 3,000 hospitals.
Magnification is the nineteenth studio album by the English progressive rock band Yes, released on 10 September 2001 by Eagle Records.It is their only album recorded both as a four-piece band and without a keyboardist (though drummer Alan White plays piano on select tracks), and their last album to feature founding member and lead vocalist Jon Anderson.
Big Generator is the twelfth studio album by English progressive rock band Yes, released on 28 September 1987 by Atco Records, [4] their last album of new music for the label.
The stage revolved at 1 mph four times per hour; the driving motor failed during one early gig, so the band's roadies had to come out and rotate the stage by hand. [60] [57] The idea was conceived by their longtime technician Michael Tait, who worked with their sound company, Clair Brothers, to develop the sound system to go with it. [61]