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"Kyrie" is a song by American pop rock band Mr. Mister, from their album Welcome to the Real World. Released around Christmas in 1985, it hit the top spot on the Billboard Hot 100 in March 1986, where it was number 1 for two weeks. It also hit the top spot on the Billboard Top Rock Tracks chart for one week. In the UK, the song peaked at number ...
Kyrie XI ("orbis factor")—a fairly ornamented setting of the Kyrie in Gregorian chant—from the Liber Usualis. Kyrie, a transliteration of Greek Κύριε, vocative case of Κύριος (), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison (/ ˈ k ɪr i. eɪ ɛ ˈ l eɪ. i s ɒ n / KEER-ee-ay el-AY-eess-on; Ancient Greek: Κύριε ...
The official motion picture soundtrack for The Da Vinci Code with Thomas Bowes (violinist), King's Consort Choir, Hugh Marsh, Orchestra, Richard Harvey, Hila Plitmann, Martin Tillman was released on May 9, 2006 via Decca label.
The earliest musical settings of the mass are Gregorian chant.The different unchanging portions of the mass, collectively known as the Ordinary, came into the liturgy at different times, with the Kyrie probably being first (perhaps as early as the 7th century) and the Credo being last (it did not become part of the Roman mass until 1014).
The Missa Papae Marcelli consists, like most Renaissance masses, of a Kyrie, Gloria, Credo, Sanctus/Benedictus, and Agnus Dei, though the third part of the Agnus Dei is a separate movement (designated "Agnus II"). [3] The mass is freely composed, not based upon a cantus firmus, paraphrase, or parody.
The Kyrie begins with the same melody that the tenor sang before, but now in unison of soprano, alto and tenor, repeated in the following four measures in four-part harmony. The call "Christe" is strong and urgent the first time, repeated more softly a few more times. The final call "Kyrie" appears pianissimo.
The Kyrie from Machaut's Messe de Nostre Dame. Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut (c. 1300–1377).
The four voices each sing in a different mensuration. For instance, in the first "Kyrie", the four voices sing in the meters 2/2, 3/2, 6/4, and 9/4 respectively (in modern notation). Thus, the second voice, in 3/2, sings the same tune as the first voice, in 2/2, but half again as slowly, so the voices gradually pull apart.