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Les Diaboliques (French: [le djabɔlik], released as Diabolique in the United States and variously translated as The Devils or The Fiends) [1] is a 1955 French psychological horror thriller film co-written and directed by Henri-Georges Clouzot, starring Simone Signoret, Véra Clouzot, Paul Meurisse and Charles Vanel.
Les Diaboliques may refer to: Les Diaboliques, 1874 short stories collection by Jules Amédée Barbey d'Aurevilly, each of which relates a tale of a woman who commits acts of violence, crime, or revenge; Les Diaboliques, 1955 French film directed by Henri-Georges Clouzot, based on a novel by Boileau-Narcejac; Diabolique (1996 film), 1996 U.S ...
Diabolique may refer to: Diabolique (1955 film) , or Les Diaboliques , 1955 French film starring Simone Signoret Diabolique (1996 film) , 1996 United States remake of Les Diaboliques starring Sharon Stone
Henri-Georges Clouzot (French: [ɑ̃ʁi ʒɔʁʒ kluzo]; 20 November 1907 – 12 January 1977) was a French film director, screenwriter and producer.He is best remembered for his work in the thriller film genre, having directed The Wages of Fear (1953) and Les Diaboliques (1955), which are critically recognized as among the greatest films of the 1950s.
Diabolique, a 1996 American film that is a remake of the above Topics referred to by the same term This disambiguation page lists articles associated with the title Nicole Horner .
The film brought Clouzot international fame—winning both the Golden Bear and the Palme d'Or at the 1953 Berlin Film Festival and Cannes Film Festival, respectively—and enabled him to direct Les Diaboliques (1955). In France, it was the fourth highest-grossing film of the year with a total of nearly 7 million admissions. [2]
Les Diaboliques (The She-Devils) is a collection of short stories written by Barbey d'Aurevilly and published in France in 1874. Each story features a woman who commits an act of violence, or revenge, or some other crime. It is considered d'Aurevilly's masterpiece. [1]
A spoiler is an element of a disseminated summary or description of a media narrative that reveals significant plot elements, with the implication that the experience of discovering the plot naturally, as the creator intended it, has been robbed ("spoiled") of its full effect.