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The Cool S, also known as the Universal S, the Stüssy S, the Super S, the Pointy S, and the Graffiti S, is a graffiti sign in popular culture and childlore that is typically doodled on children's notebooks or graffitied on walls. The exact origin of the Cool S is unknown, [1] but it became prevalent around the early 1970s as a part of graffiti ...
Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters. Pichação is a handstyle developed in São Paulo. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings.
The primary reason for the change was the fact that in April 1997 Xerox had sued PalmSource, Inc. over its use of Graffiti. [2] After a legal fight lasting a number of years, and despite the dismissal of the case by a federal judge, Xerox won a reversal late in 2001 in the U.S. Court of Appeals.
To mark surfaces with graffiti throughout the entirety of a given city, usually with aerosol paint, and to be widely recognized for these efforts. [3] [4] autorack Type of freight rail car that is tall, long, low, and flat. back-to-back Graffiti that covers a wall from end-to-end, as seen on some parts of the West-Berlin side of the Berlin Wall.
Wildstyle is a complicated and intricate form of graffiti, the most complex type of graffiti piece. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. [1] [2] It is considered the most difficult graffiti style to master. [3] A semi-wildstyle using the word RASE
Tags are one of the primary forms of modern graffiti, along with throw ups and pieces.The act of writing a tag is known as tagging.Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow, [1] and are the form that most artists start with. [2]
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Calligraphy artist Hassan Massoudy called Arabic calligraphy and graffiti "two daughters of the same parents" because of their interrelationship. He notes that "Obviously [calligraphy and graffiti] both are about the use of letters and their alphabets, and their center of gravity is the beauty of writing.