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Paiste was for a time the only major cymbal company to use the B8 alloy for its high-end lines, although Meinl has recently [when?] introduced a line of high-end cast B8 bronze cymbals as well. Zildjian and Sabian use this alloy primarily for entry-level lines, choosing instead to use bell bronze for high-end products.
Paiste is the only company out of the “big four” (Paiste, Zildjian, Sabian and Meinl) that uses manual hammering to shape the curve or “bow” of the cymbal (Meinl used a computer controlled hammering machine to shape one line of their cymbals): Zildjian and Sabian use a 75 ton press to and STAMP their cymbals into shape. With the ...
Since then, other manufactures followed the lead and implemented lines of high tin sheet metal alloy. Zildjian Project 391 series employed Paiste alloy explicitly, however many companies (Zildjian included) produce cymbals with B12 (Such as Zildjian ZHT, now S series) and B10 alloys. Meinl cymbals are well known for employing both alloys.
In line dancing the term chassé is used for a triple-step sequence in any direction (forward, side, back, diagonally, or curving). For instance, if the chassé is to be done to the right, the right foot steps right, the left foot is placed next to the right, with the weight being transferred to the left foot so that the right foot can complete ...
A stamp from a 1950s-era Bellotti Cymbal. Bellotti was a small Italian cymbal workshop that produced cymbals from the 1950s until the 1970s. [2]Because so few of these vintage cymbals exist on the market today (they are much less prevalent that some other vintage Italian contemporaries, such as Zanchi), Bellotti remains one of the more obscure names in cymbal manufacturers.
A flat ride cymbal or flat top ride [1] (or often just flat ride) is a ride cymbal without a bell, originally developed by Paiste in collaboration with jazz drummer Joe Morello as part of their Formula 602 series in 1967. The most common size is 20" followed by 18", but larger examples exist: Paiste Formula 602 flatride
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
A cymbal stack is a combination of two or more cymbals mounted in contact, producing a sound unlike any single cymbal. The effect is similar to a loosely closed hi-hat , or can alternatively be seen as an extreme case of a sizzle cymbal with the upper cymbal serving as a single large jangle.