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The main contribution to the emergence of spiritual dangdut was made by Rhoma Irama (albums Hak Azazi, Judi, Takbir Lebaran, Haji, Haram, Baca, and Shalawat Nabi), who made dangdut as a tool for his preaching, which can be seen from the lyrics of the songs he created and from the statements he issued himself. [16]
Koplo or dangdut koplo is a subgenre of dangdut, Indonesian popular dance & folk music, that originated in East Java during the early 2000s. The genre gets its name from the slang term " koplo " which refers to a hallucinogenic drug that is sold cheaply in Indonesia.
The title track was previously recorded as "The Railroad Boomer" [2] by Bud Billings (aka Frank Luther) and Carson Robison in a performance recorded at the studio at Liederkranz Hall in New York on September 9, 1929 (Victor V-40139).
Notorious is the second studio album by American country music band Confederate Railroad. It was released in 1994 by Atlantic Records Nashville. It peaked at #6 on the US country albums chart, and #13 on the Canadian country albums chart, and was certified platinum by the RIAA. "Summer In Dixie" became their first single to miss the top 40 in ...
It is the band's first official live album, and fourth album overall. Elko showcases the band's improvisational live performance style, as noted by Allmusic : "The question of whether or not Railroad Earth can jam, if it was really in doubt, is swiftly answered on [this] 126-minute collection of 12 songs, five of which run over ten minutes each."
The B-52's Time Capsule: Videos for a Future Generation 1979–1998; B-Sides & Rarities (Deftones album) B'Day Anthology Video Album; Babalon A.D. (So Glad for the Madness) Back Again... No Matter What; Bad Hair Day: The Videos; Ballad & Pop Hits – The Complete Video Collection; Barelaked Nadies; Bartholomew Cubbins 2006–2014; Bat Out of ...
Railroad Jerk, Settly: Railroad Jerk chronology; Raise the Plow (1992) One Track Mind (1995) ... One Track Mind is an album by American indie rock band Railroad Jerk.
The album is composed of cover songs by country music and Southern rock artists. Michael Sudhalter of Country Standard Time gave the album a generally positive review, saying that the album showed the band's Southern rock and honky-tonk influences. He thought that the covers of Alan Jackson and Joe Diffie songs were "lowlights". [1]