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Mandrake the Magician is a syndicated newspaper comic strip, created by Lee Falk before he created The Phantom. [1] [2] Mandrake began publication on June 11, 1934.Phil Davis soon took over as the strip's illustrator, while Falk continued to script.
After Mandrake creator Lee Falk died in 1999, Fredericks became responsible for writing the scripts for the Mandrake strip by himself. The Mandrake Sunday page continued until the final (187th) story, "Shadows on Devil Road", ending December 29, 2002. In 2013, Fredericks retired, and the Mandrake daily comic strip went into reprints from 1995 ...
"Without her help," says Davis, "Mandrake probably would have folded." Mrs. Davis enjoyed her work on the strip so much she stayed on after the War. Now the couple produce it as a joint effort, but Phil usually does Mandrake and Martha usually does Narda. They work in a studio in downtown St. Louis, move out into the Ozarks in the summer.
The Phantom began as a daily strip on February 17, 1936 [17] with "The Singh Brotherhood", [18] written by Falk and drawn by him for two weeks and then by Ray Moore (assistant to artist Phil Davis on Mandrake the Magician). That year, The Phantom was serialized in the Australian Woman's Mirror. A Sunday Phantom strip was added on May 28, 1939. [19]
Comics evolve to reflect the culture and tastes of the times. The USA Today Network – of which the Daily Jeff is a part – is transitioning its comic pages to best serve audiences.
Lee Falk (/ f ɔː k /), born Leon Harrison Gross (/ ɡ r oʊ s /; April 28, 1911 – March 13, 1999), was an American cartoonist, writer, theater director, and producer, best known as the creator of the comic strips Mandrake the Magician and The Phantom. At the height of their popularity, these strips attracted over 100 million readers every day.
These are the results of an overall review of the syndicated comics that The Times publishes, which we promised to readers after printing a “9 Chickweed Lane” strip Dec. 1 that contained an ...
Image credits: drawerofdrawings Lastly, D.C. Stuelpner shared with us the most rewarding aspects of being a comic artist: “A lot of my work-for-hire art jobs never see the light of day.
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