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Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
Whereas in Manet's Olympia the courtesan's patron is only implied, in Cézanne's A Modern Olympia the cortesain's patron is depicted within the scene. [1] The man's bald head, dark hair, full beard, and profile of the nose indicate that he is a self-portrait of Cézanne.
He was an author, poet and art critic. He is best known for his writing about the artists of his era, particularly Paul Cézanne, a friend and business partner. [1]His 1921 book, Cézanne, is a testament to the life of the artist, whose work Gasquet had known since an 1895 exhibition at Aix-en-Provence.
Henry Pearlman (1895–1974) was a Brooklyn-born, self-made businessman, and collector of Impressionist and Post-Impressionist art. Over three postwar decades, he assembled a "deeply personal" [1] and much revered collection centered on thirty-three works by Paul Cézanne and more than forty by Vincent van Gogh, Amedeo Modigliani, Chaïm Soutine, Paul Gauguin, Édouard Manet, Henri de Toulouse ...
Henri Matisse, The Dance I, 1909, Museum of Modern Art.One of the cornerstones of 20th-century modern art.. 20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art.
Theodore Franklin Reff (born 1930) [1] is Professor Emeritus of European Painting and Sculpture, 1840–1940 at Columbia University. [2]Reff is an expert on French art of the nineteenth century, and in particular Paul Cézanne, Edgar Degas and Édouard Manet.
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