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The Honeydrippers peaked at number 3 [3] in early 1985 on the Billboard Hot 100 with a remake of the Phil Phillips' tune "Sea of Love", [4] and hit number 25 with "Rockin' at Midnight", [5] originally a Roy Brown recording and a rewrite of "Good Rockin' Tonight." With the EP's success, Plant stated that a full album would be recorded, but it ...
The song shares a title with, and features prominently in the plot-line of, the 1989 Harold Becker film Sea of Love starring Al Pacino and Ellen Barkin. [28] "Sea of Love" was used in the 2000 film Frequency starring Dennis Quaid and Jim Caviezel. "Sea of Love" was used to close out The Simpsons season 16 episode "Future-Drama".
"Sea of Love" (Phil Phillips song), a 1959 song by Phil Phillips and The Twilights, covered by many performers; Sea of Love, a 1992 song by Ken Melville from It Came From the Desert port for TurboGrafx-CD "Sea of Love" (The National song), 2013; The Sea of Love, a 1988 album by the Adventures; Sea of Love, a 2002 album by Fly to the Sky
After a Baton Rouge disc jockey played the song repeatedly, [2] the recording sold heavily and was leased to Mercury Records. "Sea of Love" went to No. 2 in the U.S. Billboard Hot 100 pop chart and spent 14 weeks in the top 40, as well as reaching No. 1 on the R&B chart. Additionally, it sold over one million copies, and was awarded a gold disc ...
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
Sea of Love is a 1989 American neo-noir [4] thriller film directed by Harold Becker, written by Richard Price and starring Al Pacino, Ellen Barkin and John Goodman. The story concerns a New York City detective trying to catch a serial killer who finds victims through the singles column in a newspaper.
Let’s be honest: Love songs always hit right in the feels. A ballad can transform from a regular song into the soundtrack of your relationship—whether you’re celebrating your 25th ...
[4] Bill Merrill of the Altus Times noted the song's "smooth combination of airy vocals and catchy hooks", [5] while Cashbox called it a "strong" and "very melodic" track with a "gently pulsing synth beat". [6] In a retrospective review, Dave Thompson of AllMusic observed an "emotive love song buried in an over-produced behemoth of a backing". [7]