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The meaning within the stories is not always explicit, and children are expected to make their own meaning of the stories. In the Lakota Tribe of North America, for example, young girls are often told the story of the White Buffalo Calf Woman , who is a spiritual figure that protects young girls from the whims of men.
The original Hindi dialects continued to develop alongside Urdu and according to Professor Afroz Taj, "the distinction between Hindi and Urdu was chiefly a question of style. A poet could draw upon Urdu's lexical richness to create an aura of elegant sophistication, or could use the simple rustic vocabulary of dialect Hindi to evoke the folk ...
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Negative markers (nahī̃, na, mat) and interrogatives precede the verb by default but can also appear after it, however the position for negation can be more flexible and the negation can occur before or after the auxiliary verbs too if the sentence has an auxiliary verb. Whenever the negation comes after the verbs instead of before the verb ...
The formal Hindi standard, from which much of the Persian, Arabic and English vocabulary has been replaced by neologisms compounding tatsam words, is called Śuddh Hindi (pure Hindi), and is viewed as a more prestigious dialect over other more colloquial forms of Hindi. Excessive use of tatsam words sometimes creates problems for native ...
The term bazaar Hindustani, in other words, the 'street talk' or literally 'marketplace Hindustani', also known as Colloquial Hindi [a] or Simplified Urdu [b], has arisen to denote a colloquial register of the language that uses vocabulary common to both Hindi and Urdu while eschewing high-register and specialized Arabic or Sanskrit derived ...
Stories are often used within indigenous cultures in order to share knowledge to the younger generation. [61] Due to indigenous narratives leaving room for open-ended interpretation, native stories often engage children in the storytelling process so that they can make their own meaning and explanations within the story.
Mohan Rakesh (1925–1972), novelist, playwright known for Ashadh Ka Ek Din, Andhere Band Kamre, Na Aane Wala Kal, etc. Dharmavir Bharati (1926–1997), a renowned writer, author of Gunaho Ka Devta, Suraj Ka Satvan Ghoda, etc. Raghuvir Sahay (1929–1990) was a versatile Hindi poet, translator, short-story writer and journalist.