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With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
Anarâškielâ; العربية; Aragonés; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
While MIDI systems use cables, they do not transmit sound; instead, a MIDI cable transmits information about the music being played. For example, if a keyboardist plays a middle C note, the MIDI output would transmit a note-on instruction, velocity information (how hard the key was struck), and a note-off (note ending) instruction. mixdown
In music, a caesura denotes a brief, silent pause, during which metrical time is not counted. Similar to a silent fermata, caesurae are located between notes or measures (before or over bar lines), rather than on notes or rests (as with a fermata). A fermata may be placed over a caesura to indicate a longer pause.
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
A psalm-tone setting of the Gloria Patri in neumes, with two alternative melodies for the words saeculorum Amen indicated with the abbreviation Euouae.. Euouae (/ j uː. ˈ uː. iː / yew-OO-ee; sometimes spelled Evovae) [1] is an abbreviation used as a musical mnemonic in Latin psalters and other liturgical books of the Roman Rite.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.