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With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
While MIDI systems use cables, they do not transmit sound; instead, a MIDI cable transmits information about the music being played. For example, if a keyboardist plays a middle C note, the MIDI output would transmit a note-on instruction, velocity information (how hard the key was struck), and a note-off (note ending) instruction. mixdown
Anarâškielâ; العربية; Aragonés; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
In music, a caesura denotes a brief, silent pause, during which metrical time is not counted. Similar to a silent fermata, caesurae are located between notes or measures (before or over bar lines), rather than on notes or rests (as with a fermata). A fermata may be placed over a caesura to indicate a longer pause.
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation).
Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is a developmental approach to music education.Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze and has influenced later music education methods, including the Kodály method, Orff Schulwerk and Suzuki Method.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. Irving, John. 2013. "Pre-Romanticism in Music". Encyclopedia of the Romantic Era, 1760–1850, 2 vols., edited by Christopher John Murray, 903–904. New York: Routledge. ISBN 978-1-135-45579-8. O'Loghlin, Michael. 2008.