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He began tango recordings in 1938. His nostalgic, "velvet" voice was well-suited for his mournful songs, haunted by his unrequited love for an Indian princess he met during his grand tour of Asia in the 1930s. His most famous such song, Mavi Kelebek ("Blue Butterfly"), won him a legion of female fans. [3]
The later age of tango has been dominated by Ástor Piazzolla, whose "Adiós nonino" became the most influential work of tango music since Carlos Gardel's "El día que me quieras" was released in 1935. During the 1950s, Piazzolla consciously tried to create a more academic form with new sounds breaking the classic forms of tango, drawing the ...
Carlos Gardel (born Charles Romuald Gardès; 11 December 1890 – 24 June 1935) was a French-born Argentine singer, songwriter, composer and actor, and the most prominent figure in the history of tango. He was one of the most influential interpreters of world popular music in the first half of the 20th century.
La cumparsita" (little street procession, a grammatical diminutive of la comparsa) is a tango written in 1916 by the Uruguayan musician Gerardo Matos Rodríguez, with lyrics by Argentines Pascual Contursi and Enrique Pedro Maroni . It is among the most famous and recognizable tangos of all time.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay.The tango was born in the impoverished port areas of these countries from a combination of Argentine Milonga, Spanish-Cuban Habanera, and Uruguayan Candombe celebrations. [1]
tango Criollita, decí que sí Carlos Gardel Alfredo Le Pera canción Cuerpo de alambre Ángel Villoldo Ángel Villoldo not found in SADAIC tango Cuesta abajo Carlos Gardel Alfredo Le Pera tango Cuidado con los cincuenta = Cuidado con los 50 Ángel Villoldo Ángel Villoldo tango Cuyanita Carlos Gardel Carlos Gardel Deje que la acompañe
Argentine tango music is much more varied than ballroom tango music. A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well, which makes it easier for Argentine tango ...
Osvaldo Pedro Pugliese (December 2, 1905 – July 25, 1995) [1] was an Argentine tango musician. He developed dramatic arrangements that retained strong elements of the walking beat of salon tango but also heralded the development of concert-style tango music. Some of his music, mostly since the 1950s, is used for theatrical dance performances.