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Self Portrait with Nude (sometimes known as Self Portrait or The Model) is an oil-on-canvas painting executed in 1913 by the English artist Laura Knight. [1] A mature work, painted when Knight was 36 years old, it was controversial for its subject matter: a female artist painting a nude female life model.
Bathsheba (or The Toilet of Bathsheba After the Bath) are names given to a c 1480 [1] oil on wood panel painting by the Early Netherlandish artist Hans Memling, now in the Staatsgalerie, Stuttgart. Its unusually close framing and the fact that many of the details are cut off suggests that it is a fragment of a larger, probably religious, panel ...
Woman at Her Toilet, early 16th-century copy by an unknown Netherlandish artist, 27.2 x 16.3 cm. Harvard Art Museums/Fogg Museum, MA.. Woman Bathing (or Woman at Her Toilet, sometimes Bathsheba at Her Toilet) is a lost early 15th century panel painting by the Early Netherlandish artist Jan van Eyck.
Bathsheba at Her Bath (or Bathsheba with King David's Letter) is an oil painting by the Dutch artist Rembrandt (1606–1669), finished in 1654.. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in 2 Samuel 11 in which King David sees Bathsheba bathing and, entranced, impregnates her. [1]
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The artist uses precise lines and edges to clearly delineate between these two figures and the background. [3] Renoir also uses lines to define the features of these two nudes, capturing fine details such as the ears, hair, and lips, giving these bathers a lifelike, tactile quality. [ 5 ]
The Turkish Bath (1973) The Turkish Bath (1862) by Jean-Auguste-Dominique Ingres. Sylvia Sleigh (8 May 1916 – 24 October 2010) was a Welsh-born naturalised American realist painter who lived and worked in New York City. [1]
Bate Tichenor's painting technique was based upon 16th-century Italian tempera formulas that artist Paul Cadmus taught her in New York in 1945, where she would prepare an eggshell-finished gesso ground on masonite board and apply (instead of tempera) multiple transparent oil glazes defined through chiaroscuro with sometimes one hair of a #00 sable brush. [14]