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The House at Rueil (La maison du Rueil) is the title of two oil-on-canvas paintings by Édouard Manet completed in 1882. The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format.
Madame Manet in the Conservatory: 1879: 81.5 × 100 cm: National Gallery of Norway (Oslo) Chez le père Lathuille: 1879: 93 × 112 cm: Musée des Beaux-Arts Tournai: Portrait of Marguerite Gauthier-Lathuille: 1879: 81 × 50 cm: Museum of Fine Arts of Lyon: The Café-Concert: 1879: 47.3 × 39.1 cm: Walters Art Museum (Baltimore, Maryland) Corner ...
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism .
Effect of Snow on Petit-Montrouge (French: Effet de neige à Petit-Montrouge) is an 1870 landscape painting by the French painter Édouard Manet. The 61.6 cm x 50.4 cm oil on canvas composition depicts the 14th arrondissement's district, Petit-Montrouge, under a wintry landscape. [1]
The battle between the Kearsarge and the Alabama received a lot of attention in the French press. Although Manet himself was not present at the battle, he began to paint the event based on newspaper descriptions shortly afterwards. Just 26 days later, he was able to exhibit the work in Alfred Cadart's art gallery on Rue de Richelieu in Paris. [5]
The Balcony (Manet) A Bar at the Folies-Bergère; The Barque of Dante (Manet) The Battle of the Kearsarge and the Alabama; Berthe Morisot with a Fan; Blonde Woman with Bare Breasts; Boating (Manet) Boy Blowing Bubbles; Boy Carrying a Sword; The Brioche; Bullfight (Manet) Bullfight – Death of the Bull; The Bullfight; A Bundle of Asparagus
The painting, inspired by Majas on the Balcony by Francisco Goya, was created at the same time and with the same purpose as Luncheon in the Studio.. The three characters, who were all friends of Manet, seem to be disconnected from each other: while Berthe Morisot, on the left, looks like a romantic and inaccessible heroine, the young violinist Fanny Claus and the painter Antoine Guillemet seem ...
Manet's La Nymphe surprise depicts a young woman sitting in a wooded landscape beside a lake, looking surprised at the viewer. There is a blue iris growing near her left foot, and she wears nothing on her body except white pearls around her neck and a ring on her little finger.
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