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The early literature that Walter Liedtke mentions in "Three Paintings by El Greco," suggests that the View of Toledo was painted after 1600 and shortly before El Greco died in 1614. However, art historian Harold Wethey believes it was painted between 1595 and 1600 because of the similarities to El Greco's other piece, Saint Joseph and the ...
El Greco, (a detail of) The Virgin of Immaculate Conception and Saint John (ca. 1585), oil on canvas, 237 x 118 cm, Museo de Santa Cruz, Toledo. In hopes of becoming a reputed and well-represented artist in Spain, El Greco aimed to be recognised by King Phillip II .
El Greco (1541–1614) was a Cretan-born painter, sculptor and architect of the Spanish Renaissance. El Greco left his birthplace for Venice in 1567, never to return. El Greco's three years in Venice profoundly influenced his style. In 1577, he emigrated to Toledo, Spain, where he lived and worked until the end of his life.
Kagan, Richard (1984). "Pedro de Salazar de Mendoza as Collector, Scholar and Patron of El Greco". Studies in the History of Art. 13 (Symposium Papers II): 85– 92. Mann, Richard (1986). El Greco and His Patrons: Three Major Projects. New York: Cambridge University Press. ISBN 0521303923. Marías, Fernando (2001). El Greco in Toledo. London ...
The Assumption of the Virgin is an oil on canvas painting by Greek artist Doménikos Theotokópoulos, known as El Greco, in 1577–1579. The painting was a central element of the altarpiece of the church of Santo Domingo el Antiguo in Toledo, Spain. [1] It was the first of nine paintings that El Greco was commissioned to paint for this church. [2]
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
The anatomy of the human body becomes even more otherworldly in El Greco's mature works; for The Immaculate Conception (El Greco, Toledo) El Greco asked to lengthen the altarpiece itself by another 1.5 ft (0.46 m) "because in this way the form will be perfect and not reduced, which is the worst thing that can happen to a figure". A significant ...
Anexo:Obras del Greco; Usuario:Jane023/El Greco and his school, Harold Wethey, 1962; Apostolado de la catedral de Toledo (El Greco) Usage on fr.wikipedia.org Utilisatrice:Jane023/El Greco and his school, Harold Wethey, 1962; Liste d'œuvres du Greco; Usage on gl.wikipedia.org Usuario:Jane023/El Greco and his school, Harold Wethey, 1962
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