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Although the Orfeo legend has its origin in pagan antiquity, the medieval romance of Sir Orfeo has often been interpreted as drawing parallels between the Greek hero and Jesus freeing souls from Hell, [41] [42] with the explication of Orpheus' descent and return from the Underworld as an allegory for Christ's as early as the Ovide Moralisé (1340).
In English usage the word "Hades" first appears around 1600, as a transliteration of the Greek word "ᾅδης" in the line in the Apostles' Creed, "He descended into hell", the place of waiting (the place of "the spirits in prison" 1 Peter 3:19) into which Jesus is there affirmed to have gone after the Crucifixion.
'descent'; from κατὰ (katà) 'down' and βαίνω (baínō) 'go') is a journey to the underworld. Its original sense is usually associated with Greek mythology and classical mythology more broadly, where the protagonist visits the Greek underworld, also known as Hades. The term is also used in a broad sense of any journey to the realm of ...
Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic practices. One major point of contact was the ancient Crimean city of Olbia.
The Catechism of the Catholic Church describes Christ's descent into Hell as meaning primarily that "the crucified one sojourned in the realm of the dead prior to his resurrection. This was the first meaning given in the apostolic preaching to Christ's descent into Hell: that Jesus, like all men, experienced death and in his soul joined the ...
The Humiliation of Christ is a Protestant Christian doctrine that consists of the rejection and suffering that Jesus received and accepted, according to Christian belief. Within it are included his incarnation , suffering , death , burial , and sometimes descent into hell .
Although it is highly unlikely that the authors of the Synoptic Gospels directly based any of their accounts on pagan mythology, [12] it is possible that they may have subtly shaped their accounts of Jesus's healing miracles to resemble familiar Greek stories about miracles associated with Asclepius, the god of healing and medicine.
A detail from Hieronymus Bosch's depiction of Hell (16th century). In Christian theology, Hell is the place or state into which, by God's definitive judgment, unrepentant sinners pass in the general judgment, or, as some Christians believe, immediately after death (particular judgment).