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The theme of doubles is "the key element in the film's structure," [47] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Once on the train, Bruno orders a pair of double drinks—"The only kind of doubles I play", he says ...
Butts decided to create a game that utilized both chance and skill by combining elements of anagrams and crossword puzzles, a popular pastime of the 1920s. Players draw seven lettered tiles from a pool and then attempt to form words from their letters. A key to the game was Butts's analysis of the English language.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Criss_Cross_Quiz&oldid=1076453484"https://en.wikipedia.org/w/index.php?title=Criss_Cross_Quiz&oldid=1076453484"
Divorced mom Tracy Cross (Hawn) raises her 12-year-old son, Christopher (Arnott), in Key West in 1969 around the time of the Apollo 11 Moon landing. Chris narrates the film in voice-over and talks about his "screwed up" life living with his mother in a cheap hotel.
Crossword-like puzzles, for example Double Diamond Puzzles, appeared in the magazine St. Nicholas, published since 1873. [32] Another crossword puzzle appeared on September 14, 1890, in the Italian magazine Il Secolo Illustrato della Domenica. It was designed by Giuseppe Airoldi and titled "Per passare il tempo" ("To pass the time"). Airoldi's ...
Language links are at the top of the page across from the title.
Studio publicity photo of Hitchcock in 1955. Alfred Hitchcock (1899–1980) [1] was an English director and filmmaker. Popularly known as the "Master of Suspense" for his use of innovative film techniques in thrillers, [1] [2] Hitchcock started his career in the British film industry as a title designer and art director for a number of silent films during the early 1920s.
The Oxford English Dictionary, however, credits Hitchcock's friend, the Scottish screenwriter Angus MacPhail, as being the true inventor of the term. Hitchcock himself defined the term in a 1962 interview conducted by François Truffaut, published as Hitchcock/Truffaut (Simon and Schuster, 1967). Hitchcock used this plot device extensively.
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