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The typical recording studio consists of a room called the "studio" or "live room" equipped with microphones and mic stands, where instrumentalists and vocalists perform; and the "control room", where audio engineers, sometimes with record producers, as well, operate professional audio mixing consoles, effects units, or computers with ...
Gennett first set up a recording studio in Manhattan, New York City. Throughout the 1920s, the Manhattan studio saw artists such as Bailey's Lucky Seven, the Original Memphis Five under the pseudonym Ladd's Black Aces, and in November 1924, Louis Armstrong and the Red Onion Jazz Babies. [8]
The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased a custom state-of-the-art recording console [4] [5] [6] for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no ...
Caigan renovated the control room, adding a state-of-the-art API AXS Legacy console. The recording booths and equipment were upgraded, and the studio’s 1974 Steinway B grand piano was restored.
RCA Records is an American record ... Victor built a new recording studio in New York City and in the 1950s and '60s RCA Victor built and operated recording studio ...
CBS 30th Street Studio, also known as Columbia 30th Street Studio, and nicknamed "The Church", was an American recording studio operated by Columbia Records from 1948 [1] to 1981 located at 207 East 30th Street, between Second and Third Avenues in Manhattan, New York City.
A studio recording is any recording made in a studio, as opposed to a live recording, which is usually made in a concert venue or a theatre, with an audience attending the performance. Studio cast recordings
In the mid-1950s, aspiring pop star and future record producer Phil Spector began hanging out at local studios, including Gold Star, hoping to learn about recording. He eventually gained the confidence of Gold Star's house producer-engineer Stan Ross, who took Spector under his wing and taught him the basics of record production.
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