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The following other wikis use this file: Usage on arz.wikipedia.org ليزلى نيلسن; Usage on ast.wikipedia.org Leslie Nielsen; Usage on azb.wikipedia.org
Lucida Grande (former Mac OS X system font, used from Mac OS X 10.0 to Mac OS X 10.9) Designer: Charles Bigelow, Kris Holmes Class: Humanist : Lucida Sans Designer: Charles Bigelow, Kris Holmes Class: Humanist : FS Me Designer: Jason Smith Class: Humanist : FF Meta Designer: Erik Spiekermann Class: Humanist : Microsoft Sans Serif Designer ...
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
A humanist sans-serif font family, somewhat similar to Syntax (1968) and Frutiger (1976). It included fonts in 8 weights and 2 widths, with complementary italic fonts. A distinctive figure is the 'Q' with the detached tail, somewhat similar to that on Dwiggins' Metro; an alternate is provided for when this is unsuitable.
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
The fonts implement almost the whole of the Multilingual European Subset 1 of Unicode. Also provided are keyboard handlers for Windows and the Mac, making input easy. They are based on fonts designed by URW++ Design and Development Incorporated, and offer lookalikes for Courier, Helvetica, Times, Palatino, and New Century Schoolbook. [4]
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.