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The Scottsboro Boys is a musical with a book by David Thompson, music by John Kander and lyrics by Fred Ebb.Based on the Scottsboro Boys trial, the musical is one of the last collaborations between Kander and Ebb prior to the latter's death.
List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
C tuning – C-F-A ♯-d ♯-g-c'-f' / C-F-B ♭-e ♭-g-c'-f' Half a step up from standard, used by Eddie Rendini during his time in Cold. C ♯ tuning – C ♯-F ♯-B-e-a-c ♯-f ♯ The whole step up from standard. This tuning was used by Wes Borland with high E-string being lowered to C ♯ (C ♯-F ♯-B-e-a-c ♯-c ♯) on the first two ...
Scottsboro, Alabama, United States; Scottsboro, Georgia, United States; The Scottsboro Boys, involved in a racially charged legal case that made it to the United States Supreme Court; Scottsboro: A Novel, a 2008 novel by Ellen Feldman nominated for the Orange Prize for Fiction; Scottsboro: An American Tragedy, a 2001 documentary about the above ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century. [3]
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
In early 1937, after a series of secret meetings with Thomas Knight, Leibowitz reluctantly agreed to a compromise, which would result in the release of four of the Scottsboro Boys and allow prosecutions to again go forward against the others. Of the compromise, Leibowitz said, "I say yes, but with a heavy heart, and I feel very badly about it."