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The accordion was favored for adoption by Cajun musicians due to how loud it was, unamplified, in noisy dance halls; its ability to stay in tune; and its durability. [2] The most common tuning utilized is the key of C, although the key of D is also relatively common. [7] Some rarer accordions are constructed in the key of B flat.
The earliest accordions were the typically one- or two-row diatonic button accordions, which carried on in Switzerland as the Langnauerli, named for Langnau in canton Bern. The Langnauerli usually has one treble row of buttons and two bass/chord buttons on the left hand end, much like the accordion used in Cajun music (minus the stops), but is ...
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century and early 20th century. The mid-19th-century accordion became a favorite of folk musicians for several reasons: "The new instrument's popularity [among the common masses] was a result of its unique qualities.
An accordionist. Accordions (from 19th-century German Akkordeon, from Akkord —"musical chord, concord of sounds") [1] are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a reed in a frame).
Pigini accordions can have over 12,000 individual pieces, compared to the few hundred in a standard accordion. Each piece is installed by hand, which can take over a year. In that time ...
In the late 19th century, affordable accordions were introduced into Louisiana and were adopted by both Cajun and Creole musicians. Cajun and Creole musical styles at this time grew in parallel: mostly two-steps and waltzes meant for dancing, played by accordion and fiddle. [2] Joe Falcon's last accordion, a pre-WWII German "Eagle" brand
The Flutina is an early precursor to the diatonic button accordion, having one or two rows of treble buttons, which are configured to have the tonic of the scale, on the "draw" of the bellows. There is usually no bass keyboard: the left hand operates an air valve (silent except for the rush of air). A rocker switch, called a "bascule d'harmonie ...