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Jimmy finds some old tapes of men from a 1980s video dating service that used to tape in Studio 6-B called "Cupid's Arrow". The videos are low quality (possibly because they were produced by Video Vision). The men featured are unattractive losers, and Jimmy stated that most of them were probably still available.
Comedy sketches featured music, like the parody of the staging of a West End musical, Bessie, and a send-up of the Judy Garland–Mickey Rooney "let's put on a show" genre in "I'm Counting Moonbeams". [20] [21] Preferring to work with people she knew, Wood hired David Firman to be musical director for the series.
The sketch typically begins and ends with Colbert complaining about the title. (The sketch has had numerous titles, including Stephen Takes Your Kids, Stephen's Re-Education Camp, Stephen Colbert Is Watching Your Children, Stephen Doesn't Care About Your Kids, Stephen Colbert Is Short And Punchy. and Stephen Colbert Talks Down to Children.)
The sketch is a parody of an internet phenomenon popularized by Noah Kalina and Jonathan Keller. The video was seen on Good Morning America [8] as well as a Mountain Dew ad campaign. [9] On January 17, 2007, Olde English announced that its videos would be regularly featured on the comedy website Super Deluxe. [10]
Ligne claire (French: [liɲ(ə) klɛːʁ]; Dutch: klare lijn [ˈklaːrə ˈlɛin]; both meaning "clear line") is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin. It uses clear strong lines sometimes of varied width and no hatching, while contrast is downplayed as well. Cast ...
"Thinking About You" is a song by Scottish DJ and record producer Calvin Harris, featuring Jordanian singer Ayah Marar. It was released on 2 August 2013 as the eighth and final single from Harris' third studio album, 18 Months (2012).
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That's you that is." The series originated in a collection of improvised sketches which were released on a cassette accompanying a video of the two performing a stand-up show in Edinburgh, and the first televised performance largely followed the original improvised version, but without the helpless laughter into which it would descend.