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Gospel Plow" (also known as "Hold On" and "Keep Your Hand on the Plow") is a traditional African American spiritual. It is listed in the Roud Folk Song Index , number 10075. The title is biblical, based on Luke 9:62.
Mr. Dorsey can be seen telling this story in the 1982 gospel music documentary Say Amen, Somebody.) The earliest known recording was made on February 16, 1937, by the "Heavenly Gospel Singers" (Bluebird B6846). [7] "Take My Hand, Precious Lord" was first published in 1938. [8] "Take My Hand, Precious Lord" is published in more than 40 languages ...
Matthew 5:30 is the thirtieth verse of the fifth chapter of the Gospel of Matthew in the New Testament and is part of the Sermon on the Mount.Part of the section on adultery, it is very similar to the previous verse, but with the hand mentioned instead of the eye.
The group first organized in 1954 as a trio of sisters: Dora, Peg, and Carol McKamey. [3] As their father was a Christian minister, [4] the girls grew up singing in church. The sisters first performed together at church at Dora's request. [5]
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
"Precious Lord, Take My Hand" - Ronnie Milsap "Family Bible" - Ricky Skaggs "Just a Closer Walk With Thee" - Sara Evans "The Old Rugged Cross" - Brad Paisley "The Wayfaring Stranger" - Trace Adkins "Where No One Stands Alone" - Loretta Lynn "Give Me Jesus" - Vince Gill "A House of Gold" - Dierks Bentley "How Great Thou Art" - Carrie Underwood
"Keep Your Eyes on the Prize" is a folk song that became influential during the American Civil Rights Movement of the 1950s and 1960s. It is based on the traditional song, "Gospel Plow," also known as "Hold On," "Keep Your Hand on the Plow," and various permutations thereof.
Psalm 110: Invites a figure like Melchizedek to sit at God's right hand, with God aiding in battle at the man's right hand (v1, v5). The progression of the "right hand" motif in Psalms 108 to 110 may represent the opening half of an inclusio, a literary structure that serves as a bookend. The corresponding closure to this inclusio can be found ...