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In musical tuning, a temperament is a tuning system that slightly compromises the pure intervals of just intonation to meet other requirements. Most modern Western musical instruments are tuned in the equal temperament system. Tempering is the process of altering the size of an interval by making it narrower or wider than pure.
12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
A regular temperament is any tempered system of musical tuning such that each frequency ratio is obtainable as a product of powers of a finite number of generators, or generating frequency ratios. For instance, in 12-TET , the system of music most commonly used in the Western world, the generator is a tempered fifth (700 cents), which is the ...
In music theory, the wolf fifth (sometimes also called Procrustean fifth, or imperfect fifth) [1] [2] is a particularly dissonant musical interval spanning seven semitones. Strictly, the term refers to an interval produced by a specific tuning system , widely used in the sixteenth and seventeenth centuries: the quarter-comma meantone ...
In Werckmeister II the fifths C–G, D–A, E–B, F ♯ –C ♯, and B ♭ –F are tempered narrow by 1 / 3 comma, and the fifths G ♯ –D ♯ and E ♭ –B ♭ are widened by 1 / 3 comma. The other fifths are pure. Werckmeister designed this tuning for playing mainly diatonic music (i.e. rarely using the
Even though temperament and psychiatric disorders can be presented as, correspondingly, weak and strong imbalances within the same regulatory systems, it is incorrect to say that temperament is a weak degree of these disorders.