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Allan Kozinn (born July 28, 1954) [1] is an American journalist, music critic, and teacher. Kozinn received bachelor's degrees in music and journalism from Syracuse University in 1976. [2] He began freelancing as a critic and music feature writer for The New York Times in 1977, and joined the paper's staff in 1991. [3]
Anthony Carl Tommasini (born April 14, 1948) is an American music critic and author who specializes in classical music. [1] Described as "a discerning critic, whose taste, knowledge and judgment have made him a must-read", [2] Tommasini was the chief classical music critic for The New York Times from 2000 to 2021.
The presence of music criticism continued to grow, and by the 20th century numerous major newspapers had joined The Morning Post and Times in establishing permanent music critic posts, including The Daily Telegraph, The Guardian, The Observer and The Sunday Times in Britain, and the Chicago Tribune, New York Herald Tribune and The New York ...
In the 1970s, he was an associate editor of Crawdaddy!, where he published his first works (outside school publications); [4] and in the 1980s, an associate editor at Rolling Stone and the music editor at The Village Voice. He started contributing to The Times in 1982. [3] He reviews popular music in the arts section of The Times. [4]
In 1955, he became the chief music critic at the Times, replacing Olin Downes upon Downes' death. Also in the 1950s, Taubman acted as the ghostwriter of Marian Anderson's autobiography My Lord, What a Morning. In 1960, he took the post of chief drama critic for the Times after Brooks Atkinson retired from that position. Taubman remained in that ...
He is the author of four books: Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty (2016), The Jazz Ear: Conversations Over Music (2008), Jazz: A Critic's Guide to the 100 Most Important Recordings (2002), and a critical biography of John Coltrane (The Story of a Sound, 2007), which was a finalist for the National Book Critics ...
Harold Charles Schonberg (29 November 1915 – 26 July 2003) was an American music critic and author. He is best known for his contributions in The New York Times, where he was chief music critic from 1960 to 1980. In 1971, he became the first music critic to win the Pulitzer Prize for Criticism.
Will Friedwald (born September 16, 1961) is an American author [1] [2] and music critic.He has written for newspapers that include the Wall Street Journal, New York Times, Village Voice, Newsday, New York Observer, and New York Sun [3] – and for magazines that include Entertainment Weekly, Oxford American, New York, Mojo, BBC Music Magazine, Stereo Review, Fi, [i] and American Heritage.