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"Almost Home" is a song co-written and recorded by American country music singer Mary Chapin Carpenter. It was released in April 1999 as the first single from her compilation album, Party Doll and Other Favorites. It peaked at number 22 on the Billboard Hot Country Songs chart, and is her last Top 40 country hit.
Party Doll and Other Favorites is the first compilation album by American singer-songwriter Mary Chapin Carpenter, released by Columbia Records on May 25, 1999. It comprises a mix of her greatest hits, several album cuts, and newly recorded tracks, including "Almost Home", which reached No. 22 on Billboard's Hot Country Songs chart and No. 85 on the Billboard Hot 100.
Mary Chapin Carpenter was born February 21, 1958, in Princeton, New Jersey. [2] Her father, Chapin Carpenter Jr., was an executive for Life magazine. [3] When she was 12 years old, the family moved to Tokyo, Japan, and lived there for about two years, as her father was looking to begin an Asian edition of Life. [4]
Carpenter entered the 2000s with her seventh studio album Time* Sex* Love* (2001), debuting at No. 6 on the Billboard Top Country Albums chart. [6] The release was nominated by the Grammy Awards in 2002 for Best-Engineered Album. [5] Her second compilation album, The Essential Mary Chapin Carpenter, was released in 2003.
"Almost Home" (Craig Morgan song), 2002 "Almost Home" (Mariah Carey song), 2013 "Almost Home" (Mary Chapin Carpenter song), 1999; Almost Home (Virginia Coalition EP), 2008; Almost Home, 2013 EP by rapper Kid Ink; Almost Home, a 2009 album by Evergreen Terrace "Almost Home", a song by Moby, from the album Innocents
The stage is prepared at the United Center ahead of the Democratic National Convention in Chicago, Illinois, on Thursday, August 15, 2024. (Al Drago/Bloomberg/Getty Images/File)
Almost Home (Mary Chapin Carpenter song) D. Down at the Twist and Shout; G. Girls with Guitars; Going Out Tonight; H. The Hard Way (Mary Chapin Carpenter song)
Thomas has hit on one key to marketing sports in the 2020s: it’s about the players, not the game. Give viewers a compelling reason to connect with the athletes in the arena, and they’ll watch ...